Tuesday, 25 June 2013

Collaboration with 'Bill Motion' DJ/Music Production

I have recently collaborated with music production student/DJ 'Bill Motion' aka Ollie Girvan on an album cover for his final major degree project at University of Westminster. The brief was to create an image that depicted a futuristic London, which was still very much in the process of construction. My initial methodology in creating a design was to source images via the internet, as London was the main subject of the work the images consisted of London landmarks, construction sites, then obscure film stills were identified that would help to produce the futuristic element. Once a number of images had been sourced I chose my base image and then layered up to eight further images. Using PhotoShop I alter opacity, colour saturation, colour definition, brightness and contrast until I achieve the desired result.

Initially I produced several designs, see below:




 Although Ollie liked the concept, he suggested that he wanted more definition and colour, from this I retained elements of the designs, but sourced more imagery and decided to experiment further with PhotoShop, pushing the possibilities of what could be achieved. The following are a set of revised images:



I was really pleased with the results, but still felt that further definition was required, so adjusted further:





The Final image is the design that Ollie felt best visually illustrated his music, it then just required his logo.



Posted by Helen

Friday, 14 June 2013

14/ 6/13 Cazzie Marsh

The following images are from December 2012 and January, February 2013. Referring to D.W. Winnicott's grief, mortality and the baby's comfort blanket, my paintings capture an essence of my personal recollections related to time and place with the use of painted fragments of cloth.

 


 
14/6/2013 Cazzie Marsh

 Recently fellow MA cohortee Carole Day organised a 'Stefani' weekend at 'Limbo' in Margate, Kent. Unable to attend Carole's communal art workshop I decided to participate in a collaboration involving Barbara Maddison producing a 'Stefani' from my premises in The Strand.



14/6/2013 Cazzie Marsh

The potentiality of objects bedecking our homes and place of work represent a need for comfort and familiarity.The necessity for collecting is generally a cultural trend in the Western hemisphere. Objects or Relics whether meaningful or functional play an important role in accessing the past, present and future through museums and galleries around the World. My work derives from an appreciation of these items and now determines the concepts in my work.
My paintings are often depicted as fragments of  objects or textile; personal objects, that are sentimental and have a significant relationship to the past ( I use the term past, even to refer to the yesterday).The chemistry between myself and the object or textile is an attachment deep rooted in ancestry and the antique.
 My choice of selecting particular objects and textiles and fragmenting the photographic image is a methodology imbued with ambiguity; fragments from many photographs that I have personally taken of 'my' objects relies on narratives formed from the exchange of giver to recipient.The gift or inhertance of an object from a loved one strengthening an emotional bond with myself and the item. Furthermore, I hope to instil to the viewer of my paintings a moment of reflection, regression and suggestion of their own memorie. However, some objects remain on a transitory pathway, only to pause for a short moment in my hands before engaging again on their route to a more permanent destiny.

Displayed here are some recent images of my paintings,





Sunday, 9 June 2013

Experimental Film

Continuing with my documentation of Dreamland Margate through my own and appropriated imagery, I am seeking a method of introducing archive film footage within current photographs of the site. Through a continuous methodology of assessment and review I place the found fragments of archive film on to photographs that show their original location within the site.


Posted by Helen

Time - Place - Space Research Student Exhibition April 2013

As a group the MA fine art students from Canterbury UCA visited the Research Student Conference at UCA Farnham. There we listened to presentations given by Research Students with UCA, the conference lasted the day and included question and answer sessions with a keynote speech by Dr Claire Pajaczkowska, Senior Research Tutor in the School of Material at the Royal College of Art.

Following the conference a Private View was held for the Research Student Exhibition

'Time - Place - Space'













Posted by Helen

Rosa Barba at the Turner Contemporary

Rosa Barba recently exhibited a number of works with projection at their centre. She focuses not only on what is projected, but also the mechanics of the projector. Her projections utilise space and draws the viewer to analyse her approach to the medium.

'Rosa Barba has become known for her imaginative approach to the medium of film. She often experiments with its material parts - light, projector, celluloid filmstrip, screen and sound apparatus.' 

Turner Contemporary Exhibition Catalogue

As a predominant factor of my work is projection I was interested to see not only what was projected but also her utilisation of space and inclusion of sound. In 'Subconscious Society' she includes film of Manchester and Kent, examining their histories, once wealthy and industrious, now many areas abandoned and in dis-repair. Its method of display is a back projection on to a large suspended screen in the centre of the room, allowing the film to be seen from both sides. This method is one of consideration in my own work and perhaps the use of multiple screens could interact with one another as well as the viewer.


Posted by Helen

Perspectives on Collage, Photographers' Gallery - January to April 2013

Visited the exhibition 'Perspectives on Collage' at the Photographers' Gallery in London. The Gallery has recently opened and consists of four floors of exhibition space, including a cafe and bookshop. It is tucked just behind Oxford Circus Tube and a great place to view a variety of photography. I was drawn to the exhibition as my work also experiments in photography and film and was interested to see it combined with the method of collage. Photographers include Jan Svoboda, Peggy Franck, Nicole Wermers, Batia Suter, Anna Parkina, C. K. Rajan, Roy Arden and Clunie Reid.

The group of photographers illustrate various approaches in the use of photography and collage to form 2D, Sculpture and Installation.

I particularly liked C.K. Rajan's work which combines press and magazine images to create images that illustrate social and cultural contradictions. One shows a petrol pump in a flooded third world country, a comment perhaps on global warming and its effects on poorer countries that suffer from richer countries fuel consumption.




C.K. Rajan


Anna Parkina


Clunie Reid


Roy Arden



Jan Svoboda


Peggy Franck


Gallery


Posted by Helen